Example of the latter: My tiny glass elephant, hand-blown by a family friend when I was 5 and given to me by my aunt, lost an ear to Kayla's childhood. I found that E6000 adhesive actually glues glass back together, but it's still not quite right. That's probably my oldest artifact that I actually remember, shy of a few shabby stuffed animals and some over-handled books.
I do not particularly mind not having many artifacts--I'm trying to declutter my life, not add to it--but there are two things that bother me.
The first is: I have no reserves. Every physical item of my childhood is either gone or in my possession. My dad kept nothing of me, as far as I know; and my mom kept nothing of me, for certain, as she is a relentless declutterer and has moved so many times that I know she has nothing except pictures, and not very many of them, either. Aunts and grandparents and cousins who might have kept a few things have returned all these things to me at some point, either to mark milestones, or upon their death, or just because. It's nice of them to do that, and no, I wouldn't want a niece's stuff in my house, either, but without my parents to perform any archiving tricks, there's no well to return to. This isn't such a big deal, or a terrible thing, but I do feel sometimes that it's odd to have been excised so early from other people's houses--I mean, this all happened by my early twenties. Okay, maybe the biggest deal is that I was excised from my MOTHER's house so young. But then I look at all the little bits of my writing she saved, and all the other bits that I saved, and I think: well, I have those. And it's not even that they still exist, but here is proof positive that she gave me the space to write and be who I was.
The second thing that bothers me is that I don't have many things from some rather key people in my life. I have more items from my great-grandmother than I do from my father. In fact, I would be hard pressed to point to anything in my entire house that might have come from my father. Part of that is because he gave me so few things during the course of my life, and part of it is because the few things he did give me were kind of non-durable--a lot of faddish, plasticy toys when I was younger. He did build me a dollhouse when I was four or five, but it was.... well, it was clumsy, and second, I sacrificed it to a ceremonial fire for healing a few years back. The only other thing I kept for very long was a small stuffed moose he gave me after a hunting trip, which caused my cousin to cry when he gave it to me and not my cousin, and I have such crappy memories about that... I don't know when I got rid of that, perhaps in a fit of pique before he died, perhaps some other time, but either way, it was not a font of warm memories. I wish I had something from him--but I wish it was something FROM him, that he had wanted to give to me, that was worth keeping, so that will never change.
The other two people I don't have strong material reminders from are my maternal grandparents. I have a few things from Grandma that I love and feel are the perfect thing, and those are mainly recipe cards written in her hand; I also have her "brag books" filled with pictures of her grandchildren. Those are just right, and quite probably enough to have, and the only thing I'm sad I don't have is an artifact of her knitting. (I also wish I had the antique wooden butter bowl that belonged to her mother, but she got rid of that while she was alive, to my chagrin.) I do have her cookie jar, now that I think of it, and I need to pull that out of the cupboard and cookiefy it, preferably with her recipe for icebox cookies. So I guess I'm square there, after all.
But for my grandfather, I have so little from someone who meant so very much. I have a rose quartz he found while digging in the garden and gave to me. I have a random woven turtle box he gave me. A kerosene lantern for emergencies. And... that's it.
But I also have all the stories he gave me. Mostly the turtle stories, but also his childhood stories. Those are treasures beyond telling, and I guess--I guess those are enough. They'll feel more like enough if I ever get them out of my head and set them down on paper, but I'm also afraid they'll look paltry if I do. Not because there weren't dozens of stories, but because I only remember a few, and because I can't possibly do them justice. Without seeing them outside of me, I can pretend that there's more to them; that the memories just out of reach might swim back into view someday. And there are the memories of being told the stories: of being cuddled on his lap far past the age that it must have been comfortable to hold me, of being rocked and having my back rubbed, while he told me about turtles who mowed lawns and went to church picnics.
So, really, do I need more artifacts to appreciate that?
No--I don't.
Except very vaguely.
I don't know. It wasn't a great year in many ways, and for lots of reasons I don't really want to talk about on the internet. (*gasp* What? But you have previously wanted to talk about everything on the internet...) It was kind of one of those "every silver cloud has a really dark lining" kinds of years. The joys there are, however, are bright--friends, family, health, house, love, laughter, all that stuff.
My goal? Balance. Balance would be a Very Good Thing to consider in the coming year. (My goal is to consider it, because achieving it might be unpossible.)
Dear readers, puking tried to ruin my Christmas plans.
Seriously. I'd taken Friday off work. The retrieving supervisor had felt ill for three days prior with a "gnome gnawing [her] intestines," but I'd brushed it off as "She sits pretty far away." I spent Friday cleaning the house and feeling just fine. I got up very early and made it to Trader Joe's by 8:05, to Whole Foods by 8:45, and to MedEquip (to get my CPAP pressure adjusted) by 10:00, then pretty much worked nearly non-stop but for a 30 minute break to lunch and a 45 minute nap late afternoon. All was going sort of well, other than I didn't check in on stepdaughter's cleaning of the bathroom, which I should have.
( Cut for bathroom rant. )
I also, as usual, slightly misestimated Time Needed to Clean, per usual, so redistributing the chore load with my husband ended in an epic discussion, but we sorted it. Anyway. Mom arrived. We chatted, we watched 30 Rock, we got ready to eat...
My mom was putting together the aloo choli and I was toasting naan and suddenly I was overwhelmed by nausea. Like, "I DO NOT WANT TO EAT" levels of nausea. And I admitted it, which is not usual for me and feeling bad in front of my mom, because she swings into Full-on Nurse Mode.
Maybe that's why my husband feels I'm a hypochondriac. I know it's safe to mention feeling ill in front of people who aren't my mother, so I mention any twinge that comes along.
Now, Full-on Nurse Mode with my mother isn't like some awesome thing. I mean, Full-on Nurse Mode is awesome to behold, but it's not such fun to experience. She does things to you. Flu? She tries to make you drink hot pineapple juice laced with garlic, then feed you milk toast, and then everything you try to do for subsequent days afterward is met with a sharp, "JUST LIE DOWN AND BE SICK." She does not think well of people who try to do things while being ill. They're just asking for more being ill time in her book, and ultimately making her job harder. She has a highly competent bedside manner; you feel safe with her. But it's a kind of competence and safety that is occasionally hard to bear, especially if you were just feeling vaguely nauseated. She is not sympathetic.
So the fact that I said something and didn't try to choke down any food right then probably, in retrospect, should have been the sign that something was going to happen.
My stomach seemed to settle, and I had a bite or two of food, and a bite or two of naan. And stopped there.
( Cut for Vomit. )
I spent the evening being nauseated and considering ways in which not to puke, and having waves of body chills and aches. I fell asleep on the couch around 9ish, sitting up, unwilling to go to bed even though I was wretched because lying down seemed like a bad idea; Dann played video games (Mom went to bed). Sometime past midnight, after I drank some electrolytes and ate some applesauce, I made it to bed.
I woke up mostly okay. I tried toast; toast was a friend. Then I had to start cooking Christmas dinner, which my mom was a huge help with. Every time I mentioned part of the plan that was complex, she nixed it. "Don't make it complicated, you're sick..." Full-on Nurse Mode, right? I hadn't gotten to do any of the prep I'd wanted to do the night before. All I'd managed was to hard-boil some eggs and doing the turkey brine.
So, morning. Turkey in the oven. Mom peeled potatoes. My husband took pity on me and made the bread. (He also did the chocolate pie, but not from pity.) We put together squash and sweet potatoes and broccoli. Everything was humming along. Then Diabetic Cat, Kali, yowled for a few minutes and randomly ran into the bathroom to puke on the rug. I sat down with her for a minute a little while afterward, and noticed she hadn't cleaned the puke off her paw; yet, she was purring, almost uncontrollably while she sat on my lap, not in any sort of cuddling-purring position. Dann and I looked at each other, a little worried.
Odd. Dann's parents and brother arrived. Back to the kitchen. We were achieving controlled chaos. It was noted Kali was drooling. Then panting. K. came home as I was looking up "diabetic cat panting drooling" online. The suggestion was not low blood sugar, but "symptoms of cystitis." Hm. But time to go to the vet, the website suggested--and hurry.
When I went back to the living room, Dann was already looking up the emergency vet's info. I sat with Kali a minute. Her pupils were wide, and she was strolling into unconsciousness. I almost went to get corn syrup to rub on her gums, but I wasn't sure that wouldn't hurt her more. Dann was back, I was calling the vet, they were saying come in, cars had to be moved, Dann and the cat were gone, K. was on the couch being comforted by her grandmother.
All I could think was that the last time there was a pet health crisis, Dann had had to deal with it alone, and it had been so hard on him, and I'd promised he wouldn't have to do it again--but there we were. I thought K. might feel better if she were there, that if we had to do the hard thing, she might prefer the chance to say good-bye, so I asked her if she wanted to go. She nodded, miserable and crying, and thirty seconds later I was saying, "You're in charge of dinner" to all available parents.
It was a long drive to the vet. Inevitably, on Platt, there was an old man driving ahead of me, who kept staring at the garbage dump and going 5 miles below the limit. I thought about how people regret chances they miss by minutes instead of by longer periods of time. I thought if the cat died while we were en route, it was going to be hard not to hate this old man.
K. and I held hands and sniffled silently the whole way there.
We got in the door to find Dann calmly filling out paperwork. A wretched few minutes later, the vet tech came in to say that Kali's glucose had been 31 (down from the 150 which would be considered normal-managed for a diabetic cat), and she'd been given dextrose and was perking up. We did the medical history of the cat, which nearly took all three of us anyway.
They wanted to pump her with fluids and monitor her for a few hours. We were let to go see her. The vet and the tech both told us about how when she was given the dextrose, she certainly seemed confused, like, "How did I get here???!?", coming out of her half-conscious fugue state. She meowed at us to let her out of the damn cage when we came in, as we each took a turn petting her. Only towards the end of the petting did she try to get up and come out, but we pushed her back down.
I texted my brother-in-law that the cat seemed stabilized, after the parents failed to figure out how to operate the landline phone; then said, "We're coming back in 20 minutes." He texted back, "With or without cat?" which I didn't get until I got out of the car. So we came in announcing that the cat was okay. Or, K. did. She's getting to that point where she thinks of these things.
We went home, opened presents, had Christmas dinner, opened more presents. It was slightly subdued, but much the cheerieer for having avoided the worst result. We had alternating bouts of self-recrimination for not figuring out what was going on with her earlier, and being glad we got her to the vet when we did. Or I did. I'm not sure about Dann.
The turkey was fantastic, if I do say so myself. That recipe is solid gold.
At some point, the vet called to say Kali's sugar was up and down and weird, and they wanted to observe her overnight. The cost was... high. Dann and K. went to the vet's to say goodnight to her, and to give the vet her food and insulin (and pay the deposit). Mom and I cleaned the kitchen...
Life went on... Folks-in-law went home, while we here watched a lot of 30 Rock and ate stocking candy and I fondled my new books.
Dann and K. picked up Kali this morning. She was better, and deeply pleased to be in their company on the car trip home, from all accounts; normally, she despises the car.
Today, got news from a friend (
![[info]](http://l-stat.livejournal.com/img/userinfo.gif?v=88.8){kind=small}
iuliamentis) we were supposed to meet up with that her husband had a puking migraine. So that was the third way that vomit iterrupted this festive weekend. Three pukes in three days! We did head on over to splash_the_cat's to exchange some presents, after a trip to the non-emergency vet for glucose testing and advice. And... that was the holiday. I'd like to plan on a pleasant and easy-going five days to round out 2011, but I'm not counting these eggs before they hatch.
They don't have to be witty bits of perfection. But you know. Something vaguely interesting would be nice.
If they are @ replies that seem to be in dialogue with someone, I approve. I may even click over to see more than your last three tweets. But mostly, at that point, I think, "Wow, an actual conversation! This may be a person worth knowing, for they understand that we are not all book-buying machines on Twitter!" And I probably follow you back.
But.
If your last 3 tweets are pleas to buy your book, it's over before it has begun. You are abusing Twitter.
If you DM me to thank me for following you, and also, check out your book? It's over.
If you @ me to thank you for following you, and also, check out your book? It's over.
You can't thank someone and try to sell them something in the same interaction, and expect a fruitful relationship thereafter.
If you follow me, and I follow you back, and you act like I followed you randomly in your thanking? I know you aren't actually paying attention, and I unfollow again. Because you're just trying to use me.
You have absolutely no idea how to use Twitter, my friend. I want a hundred good tweets before you self-promo me. MINIMUM.
Or at least three.
On the other hand, I rewrote an entire book between October 8th and November 13th, so. I've decided I won't be beating myself up.
It's a bit like language. You can pretend there are rules of language that people should follow (giving a prescription for grammar, basically), but in the end, the only thing a rule does in that case is describe how certain people use the language at this point in time.
Language is fluid over time. Things change.
Example: Eventually, we will all say "ax" when we mean "ask." It will probably still be spelled "ask" however. Much like most of us no longer say "hwat" for "what."
Other example: consider how we no longer use "terrible" in the "Great and Terrible Oz" sense but rather in the "this cake is dry; it's terrible" sense. The meanings of words are mitigated or intensified, for a variety of reasons. Words referencing taboo or uncomfortable subjects get abandoned--when's the last time you said, "My grandmother died and the funeral is tomorrow" instead of "my grandmother passed away and the funeral is tomorrow"? "Die" is a clinical term, but it's considered a bit impolite to use it for someone recently deceased. Likewise, I feel like "passed away" is getting stigmatized; people are now using "passed" instead.
You can install a council of rules lawyers on language, but most of the world will laugh at it. See, France.
As for councils of rules lawyers on writing? We need to start laughing at them. Certainly we who wish to publish must respect what the market will bear, and always listen to *your* editor, to the degree that you can... but in general, advice is relative, highness, and anyone who tells you otherwise is selling you something.
Few things annoy me more than when another writer spouts half-understood prescriptivist writing rules at me. I'm trying to be tolerant about it, because a) when you mention craft problems on social media, you probably deserve the response you get, and b) I'm not that established of a writer, so I should remember that 8 or 9 years ago, that could have been me.
In any case, whether you buy my descriptivist/prescriptivist argument, I'm going to outline my personal Hierarchy of Advice.
1) Good advice for you, but you aren't ready to hear it yet, so you won't understand it. Leads to later revelations where you are dumbfounded that you had been told this all along, but you can't believe you didn't realize how epic and useful it really is.
2) Bad advice for you at this point, but you try to follow it. Often leads to mushy manuscripts or a vaguely ill feeling.
3) Bad advice, period. Indistinguishable from #2 without perspective and time.
4) Good advice that you are ready to hear, and OMG why doesn't everyone hear this and revel in its marvel and brilliance? I shall now try to tell everyone with the most vaguely related problem how this is good advice.
5) (Neutral) advice that others find good but that you find stupid.
6) (Neutral) advice that, when presented, seems so simplistic that you wonder how this is a revelation. Are you actually so good at that particular thing that you have fully internalized it and conscious thought about it is unnecessary, or are you <i>so bad</i> at it, you can't figure out how to use this perfectly reasonable sounding advice? You ponder this in dark hours, but no one has ever really told you you do it badly, so, maybe, mmmaaaybe, you are a genius on this one subject. But probably not.
7) (Neutral) advice that "everyone" agrees on, but newish writers take too much to heart, and experienced writers seem puzzled that newish writers don't understand the exceptions to. As advice, it mostly seems to function as the Organic Chemistry of writing. But in fact, none of the rest of the pre-med program is as hard as Orgo. It's a weeder rule, a gateway rule, and it is commonly believed you have to earn the right to go back on this bit of advice.
Any others I've missed?
My thoughts:
1) If you didn't find me interesting before, you probably will not find me interesting now. Whether or not you will find the book interesting? Different question.
2) I was not actually carrying on a secret life. I have never been shy about admitting to wanting to be a writer, my whole life; nor in the last ten years, when asked what my hobbies were, was it rare I avoided mentioning the writing thing. Typically, if I avoided mentioning it, it was to people I was buying discount tires from. Even if they asked what I did in my spare time, I would say "reading" instead of "writing." Because... when there is a fleeting relationship with someone, do they really need to know about my hopes and dreams?
2b) I did also refuse to admit once to a cashier at Borders that I was buying writing books because I was writing. Because I was ornery that day. Also, file under "fleeting relationship." Because while I knew quite a few of my Borders cashiers by at least sight back in the day, I could tell he wasn't going to be in it for the long haul.
2c) Also, I've never brought it up with the dentist. I like my dentist just fine; however, I find that I do not wish to carry on conversations, small or large, casual or not, with people who have their hands in my mouth. Professionally, that is; you will not henceforth get me to shut up about anything by sticking your hand in my mouth. I like my current hygienist very well because she respects my boundaries.
3) While I admit that it seems quite sudden that I have become a published author, I assure you, I have been working at this diligently for a while. And have published numerous short stories. I know you think those don't count, but... they do.
3b) I have, in fact, been working at this for coming up on 10 years. Ish.
3c) Likewise, this book has been pending for like 2 years.
4) Contrary to the evidence exhibited at/by my dayjob, I do have ambition. It just wasn't dayjob-oriented.
I think that about covers it.
*shrug*
I know many of you are not a fan of the kind of romance that starts off with hate and ends with love, and truly, I don't like it if it's not earned, or at least understood/explained--but you know what? It's not about the truth of that relationship that I like watching it; it's highly uncomfortable to hate, and then to realize you've changed your mind. It's like, "What fundamental truth about myself did I miss exactly?" But it's fun to watch characters twist themselves around like a pretzel--fun in a roller coaster way, not in a sociopathic way.
In other words, I hope my pathetic romances I have with my novels are at least entertaining. Ish.
The question after that will be, should I attempt NaNoWriMo with the whole first week cut off by this book? Not because I think I need NaNo for it's productivity angle, but because I want a win, and some camaraderie, and... to write something that I don't need to have anxiety about.
*ponders*
Anyway, I brewed myself a tall cup of coffee and downloaded the latest beta of Scrivener. We'll see.
,
Impressions:
-I should always fill the audience with people who already believe I'm funny
-A late-arriving cake is okay if it's dramatic, because the ooooohs are worth it; also, it gives the cake artist a chance to take a bow, and how often do they get to do that? Not often enough.
In other news, I've been on writing retreat since Thursday night, and while I did my due diligence to a rewrite of a short story that Ruth Nestvold and I are shopping around and had a scribbly-notes convo with my editor on the phone, I didn't have a real chance to do any writing until late yesterday. I was busy doing other things--SFWA renewal, working out some giveaways, answering interview questions, tossing up a blog post here and there... Somehow that consumed almost two days. I mean, beside the time I spent mulling over Film Critic Hulk's latest genius post and mentally absorbing my editor's notes. And the time I spent just talking to my fellow writers at retreat. My buddy Steve Buchheit finished his rewrite last night, which means he's actually almost ready to start querying agents, and I'm so beyond excited about that, you have no idea.
Other than that, I have a white spot on one of my nails, and it's on the gift finger, so I'm waiting for that to grow out. (White spot on your nail? Counting from your thumb, you go, "A friend, a foe, a gift, a beau, a journey go." And when it grows out, you get that thing! In theory! It's a total superstition, obvs, but I still do it!)
In October, my awesome fun book signing at MY library (the one I've worked in since I was 19, give or take a few years spent at the library next door). With CAKE.
No, I mean CAKE.
Deni of Small Review loves my book. I mean, this is like ideal reader love. I don't intend to post many reviews here, if ANY more--I'll just note that Kirkus was definitely okay with it, and so was Publisher's Weekly, and unless a major review site actually comes across with a star OR I get some awesome review from an honest to god 10-year-old, that's all you'll see about reviews from here on.
Here are my acknowledgments:
I want to thank my readers and critiquers. First, the Feral Writers: Julie Winningham, David Klecha, and honorary Feral Julie DeJong. Excelsior! group: Sarah Zettel, Lawrence Kapture, Jonathan Jarrard, Elizabeth Bartmess, Christine Pellar-Kosbar, Karen Everson, and Diane Rivis. The Hastings Point Workshoppers of 2009: Elizabeth Shack, Emily Kasja Herrstrom, Amy O. Lau, Stephen Buchheit, and Victoria Witt. And also Leah Bobet, Marissa K. Lingen, Jason Larke, Sunny Smith, and Kate Riley, and for more than just the reads. Thanks also to Sarah Prineas, Sherwood Smith, Jim C. Hines, Rachel Neumeier, and Stephanie Burgis for kindnesses rendered.
Thank you to my family--Kayla Fuller, Raluca Cook, Iulia Forro, Anne and Rick Fuller, and Bev Cook in particular for specific help on the book and giving me writing space and time, but thank you all for your support.
Thanks to my awesome coworkers at MLibrary at the University of Michigan: not only for the collections, the articles on Romanian folklore, and the OED, but for all the help and encouragement.
Thank you extremely very much no-more-than-that to my editor, Anne Hoppe, and my agent, Caitlin Blasdell, and everyone on their teams who helped this book along.
And thank you to Dann Fuller, who told me to go to Romania when I dithered and who made me write even when I didn't want to.
I had to pare the acks to the bones to be able to get them in, so they are not as effusive and verbose as the first draft.
And finally, you can read the first 8ish chapters at my publisher's site.
And I think that's about it for boring self-promo. I hear Seanan McGuire and Sherwood Smith have books out today, too, so if MG isn't your cuppa, you have NO lack of choices.
That would be, actually, unread bookweight. Because I did actually do a cull and took a bag of books to the library to donate. PLUS I took a bag of books that has been in my car's trunk for about two years.
I have also decided to stop reading out of obligation. I don't need to be a completist. I may ditch a series if I'm not enjoying it! I may, I may! This should free me up for more new authors and that's a good thing, and also, reading what you enjoy is a good thing, too. Hm. I'm learning! I'm 36 and I am finally figuring things out!
What else, what else? Oh, a music diet. I have Enough Music for now, I really do.
And no new paper products until I run out. No index cards, no notebooks. Sweartagod.
Also: a week from tomorrow, my book will be OUT.
*gnaws fingernails*
But, per my allergist's suggestion, I kept going off the meds once a month or so and waited for the hives to reappear.
Well, cross your fingers and spit real high, I still get pretty itchy on occasion--but maybe once a week, on my arm or whatever, for ten minutes, instead of Hours of Raging Inflammation Across My Back. Likewise, I don't seem to welt up all over my face randomly at work eight times a day. Right now, my upper arm has four itchy scratch-welts, so I just thought about it, and how minor it is, compared to previous times.
Now, what interests me is that when they were testing me for whatever triggered it--and came up with nothing--the doctor said, "Oh, so you had a really bad respiratory infection? Oh? And the hives started up the same month? Yeah, that's how it is sometimes." Basically, my immune system got all pissed off at that point. Hyper-sensitized or something. I don't know, I'm not that great at explaining it, but it all made sense to me.
Interestingly, and perhaps entirely coincidentally, I had a really bad respiratory infection this year, the first time since the advent of the hives, and kblam, my skin started being about three dozen times more normal afterward. I'm not saying it means anything, but I sure do wonder if my immune system reset itself or something then. However that stuff works.
Anyway, that's my random health update. In other news, I still have bonespurs like nobody's business.
b) came home from the lake to a gigantic box of author copies!!!
In between naps, I went down to the lake for possibly the last lake bath of the year. I river-bathed a lot growing up, so it seems both ritually wonderful and absolutely natural.
Thunder was already rumbling as I finished up. I made an unwise move with my razor, and scraped my thigh badly, just above the outer edge of my knee. The sacrifice for this year's lake baths has been made.
I got out before I spied lightning, then stood on the dock while the water turned green and aquamarine, and grew choppy with the oncoming storm, and the sky darkened to petrel gray. Directly overhead, the sun beat bright and warm; in the twenty minutes I was down at the lake, I got enough color to refresh my tan lines.
I wished I had my camera, but I knew would have spent more time trying to convince the camera to capture the color range I saw than I would have spent enjoying the weather. So I stayed where I was, dripping stone-scented water while blood welled and ran on my leg and the wind tried to whip my towel away from me.
I've always loved slanting golden light shining on grass while dark skies roll in; it might be my favorite single sight in the world. But paler yellow light from high above making jewel patches in water while dark skies roll in--probably a close second.
Now we have night bugs, and I think a tree frog or three.
Summer, I wish you'd never leave me.
I mean, I knew she had her license, but I hadn't had to watch her drive away yet.
So, that was weird.
It gives me a vague replay of the sense of freedom that I got when she was finally potty trained, but there was no bittersweetness to losing the diapers at all.
Ah, well. Without the ridiculous, how would we recognize the sublime?
I tweeted a few days back: "After drawing the Tower for 6 months, I drew the Star and freaking kissed the card." (OR something like that.) This is partially a metaphor, partially a truth. The Star is hope, though.
My book comes out in one month and one day.
It's a weird summer. I hope it's a good autumn.
Someone I've known since at least the 7th grade, the guy who sat next to me in senior English, has been nominated for an Emmy for writing.
I had that whole "THAT'S AMAZING, I'm so happy for--Oh my god, what am I doing with my life?" reaction one expects to have.
Well, at least, that's what I expect to have.
I started to laugh my rear off at myself almost right away, though.
Good thing. :)
In the positives column, finished my book and saw a rainbow. Not concurrently, but within 7 days. So it was totally a book rainbow, right?
In the also-positives column, I finished the book, knew I had muffed the ending, and talked to Kate at lunch and realized how to *actually* end the book, so now no one has to read the crappy muffed ending, and I'm pretty happy about that. And Kate earns herself a place in the acknowledgments for the second book in a row. This is the problem about not talking about books while you write them, but the good news is, I can talk about them afterward? I am so jealous of
vidensadastra's writing process sometimes, I could cry.I do not want to hit this close to my deadline again, though. A month is not enough time for a good rewrite. Even though this is a Haskell Quality Clean Draft (TM), that doesn't mean it's not full of weirdnesses.
On the other hand, have not blown deadline in the least, so that's cool.
It is also strange to me that I write on intuitive auto-pilot these days, and only have to pause now and then to take a compass bearing. It's not as hard as it once was to find my way out of the middle of a novel. Now, granted: it helps to write MG novels of significantly less complexity than a George RR Martin spectacle. But you know. It's not the only thing I write, and I still don't struggle like I did.
I just don't know when it all changed. When I stopped floundering and realized that I could a) notice problems; b) analyze them; c) fix them. While I still need editors, copyeditors, beta readers, and critique partners, they are more there to speed up the process. I could probably get to a Pretty Good Book now, on my own, given five, ten years to really think it through--and that's without skill increases! (Thank god for editors, copyeditors, beta readers, and critique partners!)
When I was a kid, and I wrote both for fun and for the emotional outlet, I didn't worry much (any) about craft. I let intuition guide me in every particular. I copied what I liked from writers I read often. When I first tried to become a working writer, I tried to expurgate the fun and the emotional outlet, and to Write Properly. I think I saved me from myself pretty early on in that process, but I think about how many intellectual stories I lunged after, that I had no real connection with, I think: "What was I doing?"
But it was part of the learning process. It was requisite for me that I intellectualize the process, so that I could learn how to make it effective for other people to share in my fun and in my emotional outlets.
So, I had a big dither over a scene tonight, and had no forward motion on the book for pretty much two nights in a row because of this scene, and I finally wrote at the end of it: [Reconsider this scene; either cut or punch up. Can the horse jump over the wall without ripping off THE BLUE SWORD too much?]
The scene is boring, as is, but I think it might be necessary to have a similar scene right here for the pacing. And for my character's growth. And for certain kinds of tension. But I'm not sure how to rewrite the scene so it is not boring, and has character growth and just the right amount of tension (I think I've got the pacing part figured); and the only thing I've thought of to happen is something Robin McKinley thought of 23 or more years ago, so that's just out. You've got a wall and a girl and a magic horse. She wants to get inside. How do I not rip of McKinley, specifically when Harry jumps Sungold over Jack Dedham's fort wall? (Or maybe Sungold just does it. I don't remember. I refuse to go read the scene, either.) --I'm not actually asking anyone but myself, btw. I know how. I just don't know how yet.
Thing is, as I stared at the scene where my girl is on the horse outside the cloister walls and just waits patiently last night--and wrote around it, and edited some other stuff, and did some spot research--I didn't even have the "ripping off McKinley" option in my head. So, that's forward progress. Right? I mean, my brain is moving.
I'm not frustrated. I know it will come to me in time. I might not need the whole scene anyway, since it really shows the internal power struggles of a group of characters who are seriously non-essential to the story I'm telling. I mean, the reason my main character is stalled at the gates is because they're arguing inside about whether or not to send aid with my character. (Just like THE BLUE SWORD, I freaking guess, yay, I'm already so close, no wonder this occurred to me.)
In the end, it probably needs to wait until I see the rest of the shape of the book, even though it pains me to leave a scene so completely wrong and have to come back to it. It's not the scene itself that bothers me, it's the ripple effect of what might change as we go forward, if I have this scene too wrong, too off the anticipated future mark.
Anyway, there it is. This weird confidence: It struck me, the weirdness, today. That I can analyze something that I'm so attached to, and not mind analyzing it. And I'm okay with it not being perfect, though I want it as close to right as it's possible to get--begin as you mean to go on, and all that, and measure twice, cut once.
I've had this confidence a lot lately, and it freaks me out. The angry little Puritan inside of me says, "You should be suffering more." And the angry little Fitzgerald inside of me says the same thing. There are a lot of voices that insist on suffering in exchange for pleasure, success, or art. Sometimes I think: well, maybe I already suffered a lot, so I'm getting a pass, for now, for this one thing. Then I also think: do I even believe those voices? I don't, so much. Maybe in my core beliefs, more than I should--I did some time among the Puritans--yes, that's a metaphor--but I work every day to change my core beliefs, to challenge my assumptions of the world.
So maybe, the work is the work, and it's rewarding. Maybe that's all there is to it.
Well, that went pretty far afield from "Hey, it feels weird that writing competently is so much easier than it was when I started."
Clearly, "measure twice, cut once" only applies to novels, not journal entries.
To the point where I bought the 150-count Crayola Telescoping Tower of crayons, which includes 16 glitter crayons and 16 metallics, OMG, and have been hunting all over for coloring pads that don't involve Dora or sharks. (I guess I want coloring pads just like my niece's, which would be Melissa and Doug brand coloring pads. Fortunately, Tree Town Toys carries those, and how. I'm heading out after lunch to nab one. $5.99 for immersive happiness? OKAY.)
I don't think I need to point out that this might be a sign of stress. That all I want to do is color. With glitter crayons.
On the other hand, it's a cheap hobby, and the things I was itching to do when I was coloring with the kids... are slightly more complicated than just coloring. I was coloring in a castle, and I wanted to draw minute scenes in every window. I wanted to draw detailed designs and second worlds on princess dresses, shark fins, and flower petals. I want to Color with Complication.
But I also want to color.
My favorite colors, btw, are "Illuminating Emerald" and "Deep Space Sparkle."
I defy you not to be excited about glitter crayons once you try them.
But this post is not about the weird sleep or the fragments of the dream I still hold onto.
This post is about childhood.
I know that, for myself, childhood was a long, extended period where I felt I had no control over anything, and that many of the petty things that I did as a child are direclty related to that lack of control. I see what I assume are examples of this kind of behavior all the time in the children I know. Some of it is the issue that the brain--you're making new pathways, you're dealing with how to handle the chemicals that wash over those cells, and the chemicals just get more intense as you approach puberty.
You are a child, and you're not in control, and you want to be and nothing makes sense. There are problems you see when you're a new person that you can't believe the older persons let exist. I remember the first time I learned what "rape" meant--we were watching the evening news, and the announcer said it, and I asked my mom, and she said, "It's when one person forces another to have sex." I remember the first time I saw the KKK on the news, and I asked my mom, "Why is that legal?" And she didn't know. And that was just the beginning, and I feel incredibly lucky that my first knowledge of some of the most horrible things in life came through the news and not something more personal that affected my own body or someone I loved.
I have a friend who--I hope this isn't saying too much--has imprinted strongly on Doctor Who, and this friend has been examining the reasons for the imprinting. The things jumped out at me in that analysis: the Doctor knows something is wrong, and then he tries to fix it. He believes the problem exists. It's an important first step, you know? But he also takes action. Those are the two things we want our parents to do. That we want the world to do.
And while my friend was talking about this, I realized that the one and only thing I've had that gut- and heart-connection with lately is Avatar: The Last Airbender. Which is about kids confronting evil, kids saving the world. And I realized that was a big theme in my childhood reading, in my childhood longing: I wanted to save the world. I wanted to do it as a kid, because the adults sure weren't getting it done.
And I've watched all of this cartoon and I'm thinking strongly I might sit down and watch all of it again, because there is such a longing inside of me, inside of the child that's still inside of me, to save the world. To notice the problem. To believe it exists. To take action. To do something.
I don't see a lot of options anymore, for saving the world. I don't have the ability to do much for political action--I vote in every election, I write my congressman, but I'm not going to run for public office. I should probably go vegan or at least vegetarian, and I'm working on that. I try to reduce my carbon footprint, but I know I need to do more there. Most of us do. I don't write well thought-out explanations of the evils of the world for the education of the internet because my brain doesn't work like that. And what else is available to us, to those who notice the problem? We rescue cats, and we raise our kids the best we can... but there's no Firelord to fight, is there? I mean. If there is, let's go fight him.
So. What's left for me? Art? Yeah, probably art.
As a writer, and particularly as a writer for children, I feel like it is my job to illuminate the present, the past, and the future, to show the problems, to show people trying to solve the problems. That's about all I can do. It does not make me a woman of action, by a long shot.
Does it help?
In my dream this afternoon, during my teeth-chattering nap, when I thought I was going to have to go back to age 9 and relive my life up to now... All I could think was, "This time, I'll do everything right."
And that's why I was crying when I woke up. I was thinking in the dream of all the things I would do differently in my life: spend more time with my grandparents, try harder to have a relationship with my father, give my mother less of a hassle, save more for college, be nicer to that friend in junior high....
After I'd been awake for about an hour, after I'd been playing with my 7-year-old nephew for an hour, I looked at him and realized he's only 2 years younger than the self I was dreaming about. How unfair am I being to my 9-year-old self? I wondered. You were just trying to learn how to live in the world. How could you possibly also have saved it?
For a good chunk of the dream, I knew if I held on, I could stay in 2011, and if I let go, I would end up in 1984. And I had to keep convincing myself to hold on. My husband. My book--I just spent a day in Manhattan working with my editor. And there was a voice who was telling me it'd be okay, I could still have my husband, and my book. It was just a matter of dedication.
(Like time travel is that easy or something.)
But I didn't believe the voice. So I held on.
But the other thing I didn't believe, and this was something I've been struggling with my entire life: if time travel were possible, I would be able to go back and make things perfect. I woke up crying because I was also remembering all the times I suppressed rage and hurt and disappointment in an effort to make things better with my dad, or to spend time with my grandparents, or to be less of a hassle to my mom. I already tried all of that, and it wasn't good for me. I'm still learning how to have emotions like a human, not a Vulcan (though the Vulcans always made perfect sense: you suppress the emotions because emotions are just too devastating otherwise).
So, what I have--all that I have--for this world-saving thing is: my memory of the problems I could see so clearly as a child; my compassion for my nine-year-old self, and all the other nine-year-olds out there, no matter how old the shell surrounding them is; and a publishing contract.
That's it. No conclusion but for that. I suspect I should have something more.
I mean. When I was 16, there was no idea that could be too dystopian. When I was 26, not so much. Now I'm about to turn 36, and I think I'm going to revisit at least one of those really insane 10th grade ideas and actually turn it into a book I'm going to try to sell.
Now, mind you... this isn't just personal growth on my part, it's looking around at the market. And maybe the leading edge of dystopian YA is actually too far past, I don't know. But I would enjoy writing this book, so I'll do it, even if it's my lunchtime book.
...my lunchtime book, you ask?
I started writing a book that required little research so I could work on it a) without the internet; b) kind of randomly; c) as a break from my heavily researched historical fantasy. I tend to produce about 500-750 words on a lunch break, and I realized that even if I only write every other lunch break, I can easily produce another MG/YA novel a year, beyond what I work on at night and over weekends. And it's nice for my brain to have a break from the other book. REALLY nice. And it seems to boost my productivity on my main book, to have this little outlet for other words and ideas.
Plus, without the required research books and stacks of notecards, that makes the lunchtime book a good travel book. It'll be interesting to see if I can work on it when I go visit my mother, head out to a con, etc... even just at 45 minutes a day while traveling. It's nice to feel like I'm not being totally unproductive when I'm away from home.
I've only been doing the lunchtime thing for a month, so I don't know how sustainable it will be--will I be able to keep up with the book once it gets to the unwieldy stage, or will I have to move on to another book beginning, and what will the fallout be if I end up with a half-dozen first 10k starts on novels but nothing gets finished?--but on the other hand, I have 7,000 words I wouldn't otherwise have, AND there's no detriment to productivity on my contracted work.
I find it interesting that I have no impulse to write short stories for my lunch work. I guess I'm really just about finished with trying to be a short story writer. I mean--never say never. But I am having a very hard time thinking of any stories to tell that take less than 45k to explore.
Growing pains, maybe? Some day I might turn around and be a real short story writer?
Doubt it.
1) Post ten of any pictures currently on your hard drive that you think are self-expressive.
2) NO CAPTIONS!!! It must be like we're speaking with images and we have to interpret your visual language just like we have to interpret your words.
3) They must ALREADY be on your hard drive - no googling or flickr! They have to have been saved to your folders sometime in the past. They must be something you've saved there because it resonated with you for some reason.
4) You do NOT have to answer any questions about any of your pictures if you don't want to. You can make them as mysterious as you like. Or you can explain them away as much as you like.
( Images, yeah. And I'm 90% sure there are no dups with the past iteration of the meme. )
Still living on the outskirts of Ann Arbor with my husband and his daughter, and I am 36. Kayla is now 16, and looking seriously at colleges and her future career path. At work, I'm in the midst of promotions, myself and people under me, and reorganization. It's the first real movement in my dayjob career in 5 years. However, in December 2009 I sold a novel, and have been waiting (and working) on it since then--my book comes out in September of this year. My mom has moved to Michigan (via the circuitous route of Montana then Seattle, Providence, San Francisco and LA). She's about 3 hours away now, which is the closest we've lived to each other since 1993.
2001
Have moved to the outskirts of Ann Arbor with my boyfriend and his daughter. Kayla is in first grade, and we chose this small town turned bedroom community because of the excellent schools and the location. We almost moved another half hour down the highway for a cheaper house, but my boyfriend's father advised us that moving closer to work was worth a slightly more expensive house. (He turned out to be right.) I'm working at the University and have been since 1995. I have started taking classes again after a financial snafu forced me out of college in... 1995. I got promoted quickly to a pretty high level that I will not advance beyond for ten years.
1991
Living with my mother in Durham, North Carolina; attending the new high school, and generally being an overworked-by-self 17-year-old. Choices, man, choices. My sense of youthful immortality wasn't manifested in the "do dangerous things" vein, but more in the "I can do EVERYTHING!" vein. Being run-down via overscheduling became a prominent theme of my life for some time. (I think this choice was a reaction to living a relatively quiet and secluded childhood; as soon as I obtained any degree of control over my own whereabouts and activities, I went crazy.) I spent a fair amount of time in those days hanging with my best friend, Chaitra, but we were drifting socially; I spent a lot of time with a wider social network that I felt less close to. I was co-editor of the school lit mag that year, and wrote and costumed and stage managed and acted for local children's theater, and babysat a LOT (three school evenings a week from 5-10PMish), and was taking AP classes, and, and, and.
1981
Living with my mother in Sault Ste. Marie, Michigan. I was six. It was the first time we'd lived more than an hour away from my dad (my parents had been divorced for 2 years) or my grandparents. I was incredibly lonely, being so far from my bevy of adoring cousins and aunts and uncles; realizing that I only had my peers to socialize with regularly was sort of a nightmare. We were living in family housing at Lake Superior State, while my mom finished her bachelor's in nursing. I did enjoy the random collegiate adults Mom associated with. One of them held fondue parties and owned an Afghan dog. I am partial to fondue and Afghans to this day. I went with Mom to night classes on occasion, and began my love affair with college campuses, I think. It was my first time living in a college town, but I've never left college towns since, not really.
A - Age: 35
B - Bed size: Queen.
C - Chore you hate: Cat litter boxes
D - Don’t eat: uncooked tomatoes, mainly.
E - Essential start-your-day item: breakfast, a shower, a podcast on the way to work.
F - Favorite board game: old school, Clue; new school, Word on the Street
G - Gold or Silver: Gold
H - Height: 5' 4"
I - Instruments you play: none
J - Job title: Information Resources Supervisor Intermediate-Moving-to-Senior; Novelist
K - Kid(s): stepdaughter K, 16
L - Love or lust: a little from column A, a little from column B...
M - Mom’s name: Beverly
N - Nicknames: Mer
O - Overnight hospital stay other than birth: besides 2 sleep studies which only barely count? numerous nights in the hospital as a daughter of a single nurse when the power went out in ice storms or I had an illness so bad I couldn't be left alone or with a babysitter. I can only readily identify six or seven of those events, except I'm sure it happened in times before I could remember, too.
P - Pants or pantyhose: PANTS. Pantyhose are the devil. Tights are okay now and then.
Q - Favorite Movie Quote: Er. I don't really think in quotes.
R - Right or left handed: Right.
S - Siblings: 3 half-sibs, only one of which I ever knew more than passingly.
T - Time you wake up: 7, 7:30. Ish.
U - Underwear: Yes, please!
V - Vegetable favorite: Probably a good Brussels sprout. I like things that are layered, bitter, and that others find challenging.
W - Ways you run late: usually, stopping to check my email.
X - X-rays you’ve had: One ankle (sprain); one foot (soft tissue injury); one foot (bone spur). Nothing else, but I have had an MRI of my head (hearing loss).
Y - Yummy food you make: enchiladas?
Z - Zoo favourite: well, frankly, zoos kinda depress me. But if you said, "what non-domesticated animals do you like watching?" -- I find olive baboons absolutely fascinating.
I recently came across the notion of eating your 5-7 a day according to color. It's actually from a book called Getting Ready to Get Pregnant, since, you know, that's what I'm getting ready to get ready to be--and the nutrition advice in that book makes the most sense of any book I've ever read. Maybe because it's in easy-to-memorize gotchya lists? I really don't know, but it's really working for me in a way nutrition advice usually doesn't.
Anyway, the fruit/veg advice is so simple, so in tune with my brain: eat a rainbow every day. Have something orange, something yellow, something green, something blue/violet, and something red. The theory is, each color family has a similar set of good benefits--orange usually harbors beta carotene, or something like that, and so on.
Yesterday, amongst the many things I ate, I had green from spinach, guacamole, and beet greens; red from salsa, red peppers, and beets (or maybe beets are violet--I probably should re-read this section of the book, since this violet thing seems to be a stumbling block); orange from an orange and a small yam; yellow from a delicata squash; blue from blueberries. I also had some mashed potatoes, meat loaf, almond butter, peach jam, two slices of whole wheat bread... and some decadence, since I was out with friends, in terms of grits cakes, bacon, and a little bit of brownie and ice-cream. I'm sure I was excessively caloric because of said being out with friends, but I know I didn't suffer from a nutritional deficit!
Today was harder, being a work day, but I had red from apples, yellow from bell peppers, green from guacamole and green leaf lettuce... Tonight, I'll have at least a serving of prunes to fill in blue or purple or whatever it is prunes are for. Orange--well, sorry orange, buddy, you're screwed today. But at least I know it, and will correct for it. Tomorrow I should be able to eat the full color suite easily again, since I'll take my lunch to work, and I have leftover beets, squash and yams to take.
Anyway, it's a thousand times easier to manage my servings as I'm choosing what to eat, and not try to keep together some count throughout the day. I aim to get at least a serving from each color. It's easy to see where I'm missing something and fill in the gap.
I wish I would have figured this one out 20 years ago! When I made my tostada this evening, overflowing with lettuce and yellow peppers, I realized: this is a far prettier way to eat.
Anyone else have similarly fun ways to keep track of nutrition?
* No, I don't think in numbers, but I am not opposed to numbers. I'm good with short-term memory of 7 digit numbers--in part because of my job--and I can memorize phone numbers like very few people I know, unless they don't make sense to me, which some numbers just don't, like
splash_the_cat's home number. (On the other hand, I still remember mrgeddylee's number from when we were in college. It was a really good number. Ending in 1348, which is a really easy number.) I'm good with mnemonics, I guess. And weird memory tricks. And if I say the page number of the book before I close it, I will be able to remember what page I was on when I come back to the book. But do not ask me how many servings of grain I ate today. It does not compute AT ALL.dsudis.'cause it's been a while since there was a meme.
The book I am reading:
The number of reading platforms has multiplied the number of books I read at once. On my Kindle at the gym, I'm reading Mira Grant's Feed. In paperback, Warbreaker by Brandon Sanderson. On my phone, The Healer's Apprentice by Melanie Dickerson. On my Kindle but not at the gym, The Blind Contessa's New Machine by Carey Wallace, who is probably the pro writer I've known longest, since she was friends with my roommate in college. (Let me commend that last book to you, because you may not have heard of it: the prose is simply gorgeous, and I'm enjoying the hell out of it.) And about a thousand research books simultaneously. Okay, actually, I only have 59 research books checked out and about 12 in my personal collection relevant to my time period, but it feels like a thousand.
The book I am writing:
So, I'm working on (actively) two books, the awayfromhome book which I shall refer to as The Disenchanted Castle book, and the athome book, which is all Rhine River valleys and dragons and princesses and knights and Evil Horses Being Reformed. I dunno. That's all I can really say about them at the moment.
The book I love most:
Love is such a funny word. And love is fluid, too. In olden times, I might have said Pride and Prejudice or The Blue Sword, but those are more perennial favorites. Love is different. What I love the most right now, the book that gives me the shivers when I think about rereading it, is probably Graceling.
The last book I received as a gift:
Um... er... I got a lot of books at Christmas, you know? And I couldn't tell you which order I got them in at this point. So I'll point to Feed by Mira Grant which I got from
iuliamentis. I'm pretty sure I got it after Christmas.The last book I gave as a gift:
I gave
splash_the_cat the four Megan Whalen Turner Thief of Eddis books for Christmas, and since it was such a debacle of giving (basically, Amazon just FAILED), that I know I gave them to her most recently of anything I gave. Because it took like a month to solve the problem.The nearest book on my desk:
The Medieval Dragon: The Nature of the Beast in Germanic Literature by Joyce Tally Lionarons is open on my desk, as is A Natural History of Dragons and Unicorns by Paul and Karin Johnsgard, T.H. White's The Bestiary, and Ernest Ingersoll's Dragons and Dragon Lore.
Closed and piled nearly as close are also The Nibelungenlied, a children's book in German about Hildegard of Bingen, Old and Midlde English c.890-c.1400: An Anthology, Wheelock's Latin, Newman's Sister of Wisdom, and a guidebook to castles in Rhineland-Palatinate.
It is a very full desk, and everything is very handy. And spread out nearly equidistant from me.
Anyway, my only problem with the movie is that a few of the scenes were working too hard at showing too much at one time, to the point that they felt quite forced. But that's okay. Otherwise, it was dreamy, involving, absorbing and quite compelling, and it was totally great inspiration for the book I'm currently writing, which has a bit of Hildegard in it.
I also used this weekend (and the snowday that struck today) to take in Downton Abbey, which I feel like everyone already watched on PBS like four months ago, but it was really good and I enjoyed it. Though I felt like it also ended up with a bit too much crammed-in-itis. Like, "we're going to explore American heiresses saving British noble houses PLUS entailment PLUS women's suffrage PLUS The Titanic PLUS the difficulties with being gay in that time PLUS those awkward old views on menopause/hunting/medicine PLUS the rise of the middle class PLUS feeling adrift with new technology (telephones, electricity, typewriters, AND cars)." I mean. It was only 7 episodes! That was a lot of stuff for 7 episodes, and really, I wanted tons more of the Old Lady War between Professor McGonagall and Harriet Jones of Flydale North, plus as much Mister Bates and Emma's restrained romance as possible. On the other hand, it was pretty satisfying a lot of the time. Until the end. The end was basically a huge cliffhanger, if you ask me.
And, I haven't done a reading post in FOREVER, which makes me feel like I've fallen down on the job SO MUCH, but allow me to rec a book. Ally Condy's Matched was surprising, because I picked it up thinking it was more a romance than a thoroughly and creepily satisfying dystopian novel. The Society seems quite nice on the surface; things are clean and everyone is well-fed and well-educated, and there is a certain plausibility to the tidiness of it all. I don't think you spend ten pages in 1984 being lulled into anything; it seems horrible from the get-go. In Matched, the creepiness seeps slowly in: you see it all through a fourth- or fifth-generation member of the Society, a product of breeding experiments and indoctrination, and it all seems to make sense. I'm trying to think of a dystopia that did such a good job lulling me. Not coming up with one.
Now, finally, a smidge of self-promo. My book has a page on the publisher's website, and is available for pre-order all over the place. You know this already if we're connected on Facebook or Twitter, but some of us aren't connected there, and I just wanted to get that out there. :) Awesomely, Rae Carson's book, Girl of Fire and Thorns is also available for pre-order. I am totally excited about both of these things!
Oh, there might be a third thing for my well-being, and that might be the new furnace I bought back in August. And if there's a fourth, it's that we're on year 2 with our friend, the electric blanket. Warmth is key.
Coldness and darkness: my two foes.
Anyway, what gets me the MOST about winter is the Snow Protocol.
I do not like the hype. It makes it very hard to tell when you are supposed to rationally stay at home, and when you are supposed to try to go somewhere. A little less hype, and we might actually be able to tell when it's really dangerous out there, and when it's actually not.
I do not like how badly people drive. From the simplest things like "turning your lights on in a near white-out" to "don't tailgate when there's ANYTHING on the ground."
I do not like how inefficient the plowing situation is in this town. Budget cuts ruining our children's educations? Bad. Budget cuts that don't take into account snow? Unbelievable.
I do not like the snowblowers. All the charm of snow is completely taken away when there are fifteen hours of snowblowing afterward. I understand that the efficiency of a snowblower is waaaay above shoveling. I believe you should have a snowblower, if you want one. I'm not the snowblower police. But in the 20 minutes that there weren't neighbors out blowing, I really got to enjoy the noise of the wind in the trees, and the quietness that comes with snow, and I thought, "Yeah, snow isn't so bad!" And then the blowers started up again.
In conclusion, I must buy a Subaru.
Sit down. In the chair. Finish some stories. Submit them to the highest markets, and when they are rejected, go second-highest. Keep submitting. Or, don't--write some novels, if that's easier. Submit those, too. Stop wasting your time gaming. You know that other people are fulfilled from gaming, but you aren't, so get on it. Also, stop believing that just because you haven't done X, you're unqualified to get on with life. So, go. Seriously. Go now.
-Mer 2011
~~~~~~~~~~~~~~~~~~~
Dear Mer 2005:
If you don't WRITE, you won't get better. At this stage in the game, it's all about the PRACTICE. No amount of career navigatory planning is going to get you the practice. GET ON IT.
-Mer 2011
~~~~~~~~~~~~~~~~~~
Dear Mer 2007:
Remember how all those authors said that you should enjoy your time before the deadlines hit? That is not something authors say because they're trying to make YOU feel better. They are JEALOUS AS HELL of you, that no one is going to yank your WIP out of your hands to turn around the galleys.
Don't get me wrong, I'm happy to be a working writer. But still. Time to call your own is precious.
-Mer 2011
Wouldn't it?
Maybe I'm leaving more of it on the page. You know--more actual writing. And that wouldn't be a bad thing, now would it?
Let's go with phase for now.
Chocolate Chili Cookies
Kristina says: "This recipe is from Maida Heatter’s Book of Great Chocolate
Desserts. I tried to give the cookbook away to a friend who loves
to make chocolate desserts but he forgot to take it home. Then I
discovered the Chocolate Chili recipe, and this book’s not going
anywhere now. I was in search of the perfect chocolate/lime
combination in a dessert, and by adding lime juice to the
cookies, I think I’ve found it."
Sift together the flour, cocoa, salt, pepper, cayenne, and
cinnamon and set aside. In the large bowl of an electric
mixer cream the butter. Add the vanilla and sugar and
beat to mix thoroughly. Beat in the egg, then on low
speed gradually add the sifted dry ingredients,
scraping the bowl with a rubber spatula and beating
only until mixed.
Shape the dough into a cylinder about 10 inches long and
about 2 inches in diameter.
Wrap the dough in wax paper and place it in the freezer
until firm. Or it may be kept frozen.
Preheat oven to 375 degrees. With a sharp, heavy knife
cut it into slices 1/4 inch thick.
Bake 10 or 11 minutes, reversing the sheets once during
baking. Watch them carefully to make sure they do not
burn.
Let them cool for a few seconds on the sheets until firm
enough to be moved. Then, with a wide spatula, transfer
cookies to racks to cool.
Rub the top of each cookie with lime juice.
1 1/2 cups flour
3/4 cup cocoa powder
1/4 tsp salt
Pinch ground black pepper
Pinch cayenne pepper
3/4 tsp cinnamon
1 1/2 sticks sweet butter
1 1/2 tsp vanilla
1 cup sugar
1 egg
Lime
It's the lime that makes the magic happen--it ties the chili and the chocolate together in a way that I find lacking in every other combo of chili and chocolate (with one exception: the Cacao Royale at Espresso Royale--that doesn't need lime).
I very nearly have a working map for my novel. I would even call it "largely accurate." It is more likely to be missing places than to have wrong places added in, I think, so that's cool. So, from Bonn to Bingen, I know my 1133 Rhine valley. Woo. Hoo.
In addition to the map, I have index cards for each place along the way, including founding dates and important happenings and my best etymologies. I have not yet decided if I'm using German names or evocative English translations of German names or some of each. (The problem is that for every "Cloud Castle" there's an untranslatable word like "the Wied River." Wied, apparently, goes back to the beginning of time or something. Because no one anywhere I can find knows what it means. Possibly if I were fluent in German I could find an etymology.... But I'm not. How on earth was Romanian easier?)
And so, that's what I did with my weekend.
So, a meandering about writing.
My book is going. It is not going as fast as I would like, but I'm getting bogged down in research on occasion. Which sounds maybe not ideal, but it's actually part of my process. There are certain things I could just leave as a blank and fill in later; writers do that, I'm told. But it never works for me, because those little details end up being the foundations of theme, foreshadowing, and all the je ne sais quois that adds up to having a tapestry of detail and texture. If I can't feel the texture as I go, it's just no fun to write. And if it's no fun to write, I don't keep going. And there's my process--or, that piece of it.
The other side of the piece is picking and choosing which textures to focus on. I think it was on Jordan Castillo-Price's podcast I heard this, where she talked about taking a cue from visual arts in learning how to focus detail in writing. It's like depth of field on a photograph. You foreground the important stuff, keep it sharp and in focus, highlight the details... and blur out the background, so it's there in general, but not the thing in the picture that the eye will return to.
Something I'm reminding myself as I go.
First drafts are my favorite thing about writing, but that doesn't make them easy.
It is very handy, therefore, that I decided not to throw a party this year. Between my stepdaughter's upcoming sweet sixteen, and the eventual book launch party in October (yes, I have a launch month, though not yet a date, have I mentioned?), I decided to dial back the partying.
As for the rest of New Year's activities, I did go so far as to chill the bottle of champagne I had purchased for the occasion, which I may have tonight if I'm feeling up to it, or perhaps mixed with OJ tomorrow. And as for resolutions? Nah. Further ratcheting around of some life-style changes, perhaps, and I want to settle in with a good solid writing schedule for the new year, but I think calling them resolutions perhaps... puts a karmic hit out on them.
See you in 2011!
I pointed out I have no TV bucket list. In fact, there is no TV on any bucket list I have. There is nothing I can't live without watching. (This is not a dis on TV, because TV is a fundamental source of pleasure in my life, and frankly, a lot of it is quite good these days. I could live without TV, but I don't have to, so why would I?) But in my world view, bucket lists are about learning and doing and experiencing authentically, for oneself, not through the lens of someone else's eye and experience.
There are no books on my bucket list, by the same token, nor do I have a book bucket list. I read for the same reasons I watch TV, plus research. There are books I need to read to keep up with my genres and to write what I need to write, plus books I want to read for pleasure, so putting some musts and shoulds down on top of that just to say I've read them is no longer a possibility. I did stuff like that when I was younger. I'm over it.
I'll be 40 in 4.5 years. I'm starting to think about things I'll want to experience before then. There are things I've been trying to do for a few years that I'd like to get to: See Niagara Falls. Get back to the Grand Canyon and ride a mule down into it. Attain fluency in Spanish, at least to my French levels.
Add to that, visit South and Central America. Actually learn how to play chess, instead of poking at it. (If there were flowcharts for chess, I'd learn it a lot faster.)
But the goals are kind of nebulous, and a lot of things that were once on my life bucket list (that I wrote when I was 14) are either accomplished, or I learned enough to know I don't actually want to do them. And then there's writing research. I do so many things based on writing research, that it almost seems moot to have a list. I'll get to everything I need to get to, eventually. Right? Maybe?
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